Music

Behemoth – O Father O Satan O Sun! (Official Video)

Genre: Black Metal (early), Black/Death Metal (later)

Themes: Paganism (early), History, Satanism, Luciferianism, Thelema (later)

Location: Poland

I know I’ve posted a lot of Behemoth videos from the Satanist album before. But that’s just because that album is so good. I won’t profess to know the exact meaning of this video. But I think I recognize some of the symbolism. Prometheus shackled to the cliff while birds circle overhead, ready to eat out his organs to punish him for gifting mankind fire. One-eyed Odin, the wanderer, with a raven. Both are figures who are similar to Satan in a way, they brought knowledge to humanity and suffered for it. Is that what Behemoth was going for in this video? I don’t know, those are just my guesses.


Varg Vikernes Has Ended Burzum for Good

“Burzum Is My Painful Past in a Reeking Bog”

“Burzum was never my choice of life. I didn’t even want to become a musician.”

 

Varg Vikernes has announced that Burzum is no more after giving away his only copy of the project’s 1992 self-titled debut album.

The disc went to a fella named Nathan B, who beat Varg in a challenge of getting from 0-100 kmh (0-60 mph) in their 4×4 vehicles.

Burzum was active between 1991 and 1999, and then again from 2009 until now. The project has 11 studio albums in its discography, the final of which came out in June 2014 under the title of “The Ways of Yore.”


Watain – Stellarvore (Intense Black Metal)

Genre: Black Metal

Themes: Anti-Cosmic Luciferianism, Death, Darkness, Chaosophy

Location: Sweden

I’m not sure what a “Stellarvore” is, but like a “Carnivore,” I imagine it is some cataclysmic beast that feeds off the stars and destroys the cosmos.

LYRICS:

With the strength of the mountains
Come forth from the North; Agios Daimon!
With the hunger of oceans
Come forth from the West; Agios Daimon!
As fire and flame
Come forth from the South; Agios Daimon!
As thunder and storm
Come forth from the East; Agios Daimon!

In the darkness
In the nothingness of absent light
Where no life force is permitted to exist
From far beyond the borders
Where god not dares
The Serpent gloats in hunger

No star will shine tonight
No star, no matter how bright
Across the firmament goes its flight
A great darkness devouring the light

God of Death. Manifest
God of Doom. Move and appear!

Spread thine countless tentacles
Across the universe
Let them spasm throughout
The labyrinth of trembling stars
Strangle their flickering flames
Eat them whole
Wander ancient Dragon
Across the cursed heavens

LINKS: 

Official Watain Page

Watain Facebook

Encyclopedia Metallum Page


Syrian Metal: Abadie – Deadly Asylum

Genre: Thrash

Themes: Corruption, War

Location: Syria


A metal song that speaks with the tongue of a Syrian child. A rough translation is offered below:

LYRICS IN ENGLISH:
What’s that sound, father?
I’m so afraid!
Don’t be, close your eyes,
I want to go home,
We will, son,
We will,

Hungry,
Cold,
Disgusted,
Filthy and itchy,
But no doubt my filth has more honor than you,
Rulers and politics, the source of defilement,
My house is not the camp,
Give it back,
God have mercy, your test has become long,
You burn me with their fire, where is yours?
Turned the childhood into a curse,
Weak, actively take your decision,
With the creed, they made me homeless,
With the knife, compelled me to it,
Oh, judgment day, arrive!
Blow your horn, Israfil,
Your trumpets await you, Israfil. (The angel in charge of blowing the horn that announces judgment day).
watch me on the screen,
Film my empty dish, sucking my fingers,
My dream is dead on the top of the canons, consolidate me,

*The son*
Father, if I wake up, put me back to sleep.
Don’t wake me up.

*The father*
My heart’s beloved, wake up….wake up.

(Voice of a preacher in the background)


Nile – Von Unaussprechlichen Kulten (Ancient Egyptian Death Metal)

Genre: Brutal, technical death metal

Location: United States

Themes: Ancient Egyptian Mythology

I love this song because it’s a great embodiment of what the band Nile does well, create an expansive, over-the-top soundscape with an impossible to remember title that fuses cinematic, Ancient Egyptian-esque instrumentals with the mind drilling riffs of modern death metal. It’s beautiful.  If I were summoning Cthulhu, I’d want to do it to this.

This is the 10th and last track from the album Annihilation of the Wicked.

LYRICS

I Hath Dreamed Black and Grim, Desolate Visions
Of the Pre-Human Serpent Folk and Communed with Long-dead Reptiles.
Silently Watching Through the Ages in Cold, Curious Apathy.
The Unending Sorrows and Suffering of an Abysmal Humankind.

I Dare Not Again Surrender to the Deep Sleep Which Ever Beckons Me.
Lest I in Dread.
Shudder at the Nameless Things.
That May at this Very Moment.
Be Crawling and Lurking.
At the Slimy Edges of My Conciousness.
Slithering Forth from the Bowels of Their Infernal Pits.
Worshipping Their Ancient Stone Idols and Carving Their Own Detestable Likenesses On Subterranean Obelisks of Blood-soaked Granite.

I Await the Day When the Claws of Doom Shall Rise.
To Drag Down in Their Reeking Talons the Weary and Hopeless Remnants of a Jaded, Decayed, War-despairing Mankind.
Of a Day When the Earth Shall Open Wide and the Black, Bottomless, Yawning Abyss Engulfs the Arrogant Civilizations of Man.
Chthonic Retribution Shall Ascend.
Amidst Universal Pandemonium and Those Who Slither and Crawl Shall Rise Again Once More to Inherit the Earth.

 


Olane Interview – Primal, Spontaneous Music

Genre: World, Spontaneous, Primal

Location: Lyon France

Group Members: Héli Andrea and Quentin Thomas

When Héli Andrea put the first song of her band Olane on the Metal-Gaia facebook, I was pleasantly surprised to find a musical project that reminded me heavily of Dead Can Dance, and somewhat of Wardruna. The song I listed above is their first, but there is more to come.

Below is a discussion I had with Héli about the project.

MG: First of all, what are your influences in your music? And what themes are you trying to convey?

HA: I listen to many types of music, a lot of metal, ambient, classical, jazz… And I love to travel in my imagination when I listen to world music like Indian Carnatic songs, Mongol voices, strong ethnic drums or even Celtics songs. I composed Olane with Quentin Thomas, and we both share a passion for film music too.

What I try to do in Olane is to create spontaneously, without any thought about what it means. I’m not trying to talk about concrete issues. I just want to share a feeling. In Olane I want to spread this feeling of strength coming from the earth under our feet. Like something really deep-rooted in us.

When I sing this song, I feel like I’m traveling somewhere, far away.

MG: Are you influenced by groups like Dead Can Dance?

HA: To be honest, I know Dead can Dance since yesterday! Someone told me that Olane was in the same style, so I checked this out and it’s great! I was not influenced by them, but being compared to their style is really nice.

MG: Haha yes, that’s what your style reminded me of as well. What are you and Quentin’s plans for future songs?

HA: Now we are working on another song which will be maybe more epic. To me, it will be interesting to put other types of voices in this one. We consider this as a musical crash test, everything is possible, we can move from a country to another, from a period to another in our music.

I want to try many types of voices, many instruments. We are like kids who have eaten too much sugar. We don’t think about what we do, but it’s really fun! Plus, for the next song I would love to make a video with “Above Chaos,” who is a talented artist. He made all the visuals for the current project.

LINKS

OLANE FACEBOOK

VIDEO ON YOUTUBE


Mesmur’s “S” – Funeral Doom Metal Sound of the Universe’s Demise

s

Funeral Doom Metal

Location: USA

Themes: Entropy, Space, The Cosmos, Destruction, Chaos

“A singularity is the point in a black hole where density becomes infinite, space-time bends, and the laws of physics as we know them cease to operate.

This is the perfect way to describe Mesmur’s newest album “S,” an infinitely dense soundscape that bends space and time around the listener. A meandering funeral dirge through the chaotic void that is the universe. A universe that was doomed from the start.”

This is a review I did for Dark Art Conspiracy. Check out the rest of my review HERE

What I didn’t get to mention in my review is that entropy has four phases. I think that this album has four songs to reflect the four phases of entropy. Entropy is represented by “S” and is the measurement of disorder in a system. The idea of having an album focused on creating the sound of entropy is fucking brilliant in my humble opinion.