Location: Westfield, Massachusetts
Genre: Metalcore (early), Progressive Metalcore (later)
Themes: Life, Inner struggles
This song, “Enigma,” certainly has the right name. While I’m not necessarily an avid fan of metalcore, I have to say these guys are amazing. And this song itself is definitely an interesting listen. As I was listening, at one point I said to myself, “WTF? Is that the Mario theme?” (at around 1:30) And then I heard something else familiar start up at (2:20). For a few seconds I had to think it through before I realized, “Oh! That’s Inspector Gadget!” So this is definitely a fun listen.
Genre: Black Metal, Ambient
Lyrical Themes: Myths, Folklore, Odalism, Darkness, Philosophy
Country of Origin: Norway
“In 1991, when Satanel disbanded, Vikernes revived his solo project, changing the name to Burzum (which translates to “darkness” in J.R.R. Tolkien’s Black Speech, which is spoken by orcs and other creatures of Mordor). Handling all instruments and vocals by himself, he recorded Burzum’s first four full-length albums in a span of just over one year. In addition to all that, he joined Mayhem on bass, as well.” (Encyclopedia Metallum).
Varg Vikernes of Burzum became notorious for his church burnings and murder of Mayhem’s leader Euronymous in 1993. He served 21 years in jail for these actions, but is now free today.
While his views are controversial, the music of Buruzm, like much great old school black metal, is gritty, unpolished, ambient and evokes an era of ancient, primeval pagan magic.
Genre: Heavy Metal
Country of Origin: Germany
Here’s some balls the walls packed heavy metal to livin up your evening. These teutonic titans have been around an impressive 48 years! That’s like twice as long as I’ve been alive. They formed back in 1968 as “Band X,” but the band became “Accept” in 1976 when their vocalist Udo Dirkschneider formed a new line up. So…technically the band really got started in 1976. While bassist Peter Baltes and guitarist Wolf Hoffmann have been in the band more or less since then, the current vocalist, drummer and guitarist Uwe Lulis are fairly new.
So these guys are a great heavy metal band that has been rocking out on their six string sabers for almost half a century. If you like bands like Judas Priest and Iron Maiden, I’m pretty sure you’ll love Accept.
Storming the castles… swords In the air
Killing the monsters in their own lair
Lighting the torches… setting the stage
You get what you ask for… right in the face
On this holiest of days, on 6/6/16, we bow our heads in reverence and prepare to head bang to our favorite Slayer Albums.
Since their 1986 album “Reign in Blood,” Slayer has come to epitomize Satanic, speed metal as a genre. Reign in Blood is also one of the most influential metal albums of all time.
What are the best ways to celebrate Slayer Day (according to the National Day of Slayer Site)?
- Listen to Slayer at full blast in your car
- Listen to Slayer at full blast in your home.
- Listen to Slayer at full blast at your place of employment.
- Listen to Slayer at full blast in any public place you prefer.
And do NOT use headphones. The goal is for everyone to know that today is Slayer Day.
Here are some great songs to start with:
Here’s some old school “environ-metal.” And you know it’s old school because MTV is actually playing a music video. This thrash metal band from New York formed in 1984, and has broken up and reformed three times. In fact, they are still around today. Their lyrics deal with politics, society, warfare, humor and corruption. Dan Lilker, a key member of the band, was also in Anthrax, and played live for Dark Angel and Soulfly.
The video above is a thrashy, head banging warning about mankind’s destruction of the planet through oil spills and nuclear waste – as well as mankind’s eventual destruction of itself.
Genre: Black Metal
Themes: Satanism, Anti-Christianity, War, Darkness
Taken from The Complete Tolkien Companion by J.E.A. Tyler:
“Gorgoroth ‘Dreadful Horror’ (The Sindarin or Grey-elven tongue) – A word in the Grey-elven tongue, used for two different locations, distinct in time and space…. the second instance is the name of the ‘Haunted Plains’ of Mordor; the great plateau which occupied the north-western area of that country, a desolate, arid land, pocked with craters and fuming pits and riven with many deep crevasses. In the centre of the plain rose the smouldering cone of the volcano Orodruin.” (Encyclopedia Metallum)
Gorgoroth in their music, performances and videos capture the spirit of dreadful horror. Their concert above is a live mockery of the crucifixion of Christ. A bloody and profane celebration of human flesh and gore.
Might and Lust my work
No trust is for man
Father of unholy damnation light
rewarding assistance for an endless life
To every living worm
Writing an omen
To every living walking
through the twilight
In every night there is a FIRE!!
Singing and Burning
The Curse of a child
Bring the pain out
Ours was spirit
We exist…all…to awaken the secrets of old!
The essence of doubt
Carving a giant
Carving the eye of a god
Torn so much
Taint a love
Chasing a giant
Forcing the ways of a storm
Standing as human
Facing a god
Fighting and turning your secrets
and every night I am the flame
and every night there is a fire
breaking the twilight!
Country of origin: Sweden
Genre: Viking/Black Metal
Lyrical Themes: (Earlier Bathory) Satanism, Evil – (Later Bathory) Vikings/Paganism
An appropriate song for the end of winter. This song beckons us to set sail at the end of winter, in pursuit of treasure and battle on other shores.
Mother winter leaves our land
And opens wide the seas
The lukewarm breeze does beckon me
As it whispers through the trees
It says: Set your sails
And let me take your ship to foreign shores
Take farewell of those near you
And your land of the North!
This is a pretty long, but powerful song, filled with emotion and that nostalgia for the old Norse ways which Bathory captures so perfectly.
Above is a (relatively) new Amon Amarth video released January 25th, 2016. ‘First Kill’ is from Amon Amarth’s new album, Jomsviking, available March 25th. Album Pre-order + North American Pre-sale Tickets available now at http://www.amonamarth.com.
The production quality of this video is excellent. I also appreciate that the vikings in this video are dressed in a way that is closer to the way historians believe the vikings dressed, rather than what is typically depicted in the media. For instance, much of the way the characters on the History Channel’s ‘Vikings’ dress is more like leather outfits from the biker bar.
I’m guessing the album itself is about the Jomsvikings, a semi-legendary order of Viking mercenaries, or brigands, in the 10th and 11th century. They were staunchly Pagan and dedicated to the worship of deities such as Odin and Thor. They reputedly would fight for any lord able to pay their substantial fees and occasionally fought alongside Christian rulers. Although they were Pagan, the institutions of the Jomsvikings in some ways anticipated those of the Christian Knightly Orders of the later Middle Ages.
In terms of song writing, Amon Amarth doesn’t disappoint. Catchy. Fun. Bad ass.
Don’t miss their 2016 tour as they pillage a town near you.
Genre: Black Metal, Gothic Metal, Extreme Metal
Lyrical Themes: Anti-Christianity, Occultism, Greek Mythology
Location: Athens Greece
Before they formed Rotting Christ, Sakis Tolis, Themis Tolis and Mutilator played in a band together called Black Church, which they started in 1985. They went on to create Rotting Christ in 1987. They were one of the first Black Metal bands in their region.
Genre: Technical/Progressive Rock/Metal
Location: New York City, New York
Now I know what you might be thinking when you see a song that’s 17 minutes long, “You really expect us to listen to that? That’s like 3 songs in one?” But trust me, as you listen to it, it doesn’t feel very long at all. This amazing piece takes you on a journey – a journey through groovy, fresh guitar solos, funky riffs, dynamic ups and downs and Mike Portnoy’s expert drums.
That’s right. This project was founded by Mike Portnoy of Dream Theater as a side project (but ended up roping in John Petrucci and Jordan Rudess…so it was kind just like a different flavor of Dream Theater???) They also had bassist Tony Levin of King Crimson playing with them.
One thing that made me laugh was when I read that Portnoy’s first choice for a guitarist was Dimebag Darrell…you know…of Pantera. Of course Dimebag was an amazing guitarist, but somehow this doesn’t really seem like his style.
A testament to the incredible talent of these band members is that the albums were mostly improvised.
On December 28th, the world lost a heavy metal legend. The singer, song writer, bassist and sole constant member of the band Motorhead. Many people are shocked to hear the death of Lemmy, but it’s actually a surprise he lived as long as he has, being the human embodiment of the hard drinking, fast living, rock and roll life style.
Many people credit Motorhead’s fast and heavy style for the creation of thrash music. But Lemmy always liked to insist that Motorhead was a rock and roll band.
This New Years celebrate the life of this legend by taking a drink for Lemmy, won’t you?
INTERESTING FACTS ABOUT LEMMY’S LIFE
Being the supreme being he is, he was born on Christmas Eve.
“Kilmister” is the real last name he was born with.
The term ‘”Motörhead” is slang for an enthusiast of methamphetamine and other chemical stimulants.
Lemmy had the honor of being a roadie for Jimi Hendrix.
Motörhead’s immortal motto—“Everything Louder Than Everything Else”—is the one, flawless summation of everything that defines heavy metal.
LEMMY KILMISTER TRIBUTE PLAYLIST
RIP MOTORHEAD Frontman Lemmy Kilmister, 1945 – 2015 (Metal Injection)
MOTÖRHEAD’s LEMMY Dead At 70 (Blabber Mouth)
Happy Veteran’s Day! I just want to issue a hearty thank you to all the brave warriors who have risked their lives to keep us safe and free.
Yet today our veterans are often discarded by society after their courageous sacrifice. Over 1.4 million veterans are at risk of becoming homeless. There are 300,000 homeless veterans sleeping on the streets and this number is rising. An estimated 460,000 veterans suffer from PTSD. They have an increased risk of getting a divorce. And in the time it takes you to watch the first video below – somewhere, a veteran took their own life.
So I put together this metal list to celebrate the brave sacrifice of our vets. Some of the songs are meaningful, others are just fun and uplifting. The first one is a very powerful video about the problems facing veterans today.
Death in battle is not a failure, but a study in triumph of the spirit. May the warriors of our time find their final resting place in Valhalla, where they will be remembered and honored until the end of time.
AUTHOR’S NOTE: I’m not saying these are the best songs for the subject. Just my opinion. Also, someone complained that I added Five Finger Death Punch, but the video itself actually addresses the problems faced by today’s vets better than anything other music video I’ve seen, so it deserves to be on here.
METAL PLAYLIST FOR WARRIORS
Five Finger Death Punch – Wrong Side of Heaven
Judas Priest – Halls of Valhalla
Ensiferum – In My Sword I Trust
Turisas – Stand Up And Fight
Amon Amarth – War of the Gods
Ensiferum – Victory Song
Orden Ogan – The Things We Believe In
Motorhead – Dogs of War
Sister Sin – 24-7
Tengger Cavalry – Hero
Amon Amarth Twilight Of The Thunder God
Amon Amarth – Tattered Banners And Bloody Flags
Judas Priest – One shot at glory
Tyr – By The Sword in my Hand
Amon Amarth – The Hero
Metallica – The Day That Never Comes
Iron Maiden – The Trooper
Kataklysm – The Ambassador of Pain
Amon Amarth – Warriors Of The North
Fortress – Victory or Valhalla
Manowar – Warriors of the World United
Sabaton – The Price of a Mile
Genre: Black Metal
Country of Origin: Norway
Themes: Rediscovering the ancient Pagan ways
For many people, the old school black metal is difficult to listen to because of its low production quality. However, for others, this is a big part of its appeal. After metal music became over commercialized in the 1980’s, the scene of Norwegian Black Metal that emerged in the late 80’s/early 90’s was appealing in a primordial, and natural kind of way. The music seemed a sort of dark, pagan magic re-emerging into a world that had become fake and synthetic.
Burzum evokes a gritty brutality that is quite captivating. Burzum itself means ‘darkness’ in the Black Speech, a fictional language from Lord of the Rings. The song above came from the album ‘Det som engang var.’ The album cover was visually inspired by Dungeons and Dragons. So there is obviously an interest in fantasy at work here.
Varg himself, the man behind the Burzum solo act is quite the controversial figure. He was sentenced to 21 years in prison for the murder of Mayhem guitarist Øystein ‘Euronymous’ Aarseth and the arson of three churches. What’s interesting is that Varg stabbed Euronymous a few days after the release of the album listed above.
After Varg’s release from prison in 2009 he recorded three further black metal albums.
Varg is also a controversial figure for his racist and anti-semitic views. However, amidst a lot of his rantings about race and the Jews, he does sometimes have some pretty brilliant things to say about the return to the ancient wisdom and truth.
Here is piece of an interview with him from the movie ‘Until The Light Takes Us.’ (The background music is Bathroy’s ‘One Rode to Asa Bay’)
Country of origin: Sweden
Genre: Viking/Black Metal
Lyrical Themes: (Earlier Bathory) Satanism, Evil – (Later Bathory) Vikings/Paganism
As we get closer to Samhain and Halloween, it’s time to celebrate the dead. As the days grow shorter and colder, I also like to start busting out my old school black metal. Bathory is significant because they were one of the first black metal bands to make music about paganism and vikings, rather than Satan. In fact, Quorthon, the man behind Bathory, was really the father of the genre we now know as ‘Viking Metal.’
Quorthon played multiple instruments, released 14 albums over 20 years, played Satanic Black metal in the 80’s and pioneered the Viking Metal genre in the 90’s. He was the founder and songwriter of the Black Metal Band Bathory (in the 80’s and 90’s). Later he went on to create his own solo albums.
If you have more interest in this topic, check out my more detailed article: Quorthon, Bathory and Pagan Metal
(Quorthon breathing fire live)
I stopped watching TV on the regular about ten years ago. Yet one of my major disappointments (in the occasions that I do watch the boob tube) is that there was no longer a music channel, just MTV (the reality TV channel) and VH1 (the reality TV channel that sometimes had music). So you can’t imagine my excitement when Sam Dunn – the director of several heavy metal documentaries – announced that there is going to be a whole freakin’ channel dedicated to metal. This means more metal documentaries, more metal videos, and the exploration of the millions of sub-genres of metal (including the ones that you never knew existed – or the ones that don’t exist yet). Like how about Pirate Jazz Metal? Does that exist? Maybe I can just create it out of thin air. And what about the prospect of metal commercials? Commercials for things like soap that ooze goat’s blood on you in the shower? (Okay, maybe that idea needs to be work-shopped a bit)
So anyways…something definitely to look forward to. Thank you very much Sam Dunn!
September 23, 2015 | Categories: Black Metal, Death Metal, Doom Metal, Folk Metal/Folk Music, Grindcore/Metalcore, Groove, Heavy Metal, Industrial, Melodic Death Metal, Metal News, Music, News | Tags: banger, channel, dunn, metal, music, sam | Leave a comment
Nile’s newest album “What Should Not be Unearthed” opens up like a blast of fire melting the face off a demon. They’re back heavier and faster than ever. This is quite a feat considering that Technical Death Metal has been on the way out recently. And many Death Metal bands have gone towards a more progressive or groove driven direction; which is understandable, because it’s often hard to be even heavier than what already exists, especially after Death Metal has been a genre for 20+ years.
But Nile delivers a fist full of death metal that punches you in the face with its heavy riffs, dynamic tempos, and liquid hot solos. Some of the riffs are familiar, but there are definitely some clever new licks thrown in. And of course, this album brings together what Nile fans love – fast, death metal riffs mixed with middle eastern instrumentals and scales.
KARL SANDERS DISCUSSES HIS INTENTIONS AND OPINION OF NEWEST ALBUM
In an interview with Metal Wani, Karl Sanders (Nile’s Vocalist and Guitarist) said he wanted to take a different direction than their last album, “At The Gates of Sethu.” Sethu was a very clean and technical album, written for studio perfection. But as Karl says, this newest album was all about the fans, and giving them what they want. It was also more about feeling than technicality. “Is it heavy, does it emotionally move me?”
Many interviews and reviews have already dealt with the technicalities of the music. In short, I will say in this album there are more mid-range growls than the low growls of the past (I can actually understand the lyrics!). The guitars and bass are also turned up a bit higher in volume than previous albums. As George Kollias (the drummer) is quoted as saying, “I can’t hear my fucking drums!” (Metal Wani). In terms of skill level, the song “What Should Not Be Unearthed” was apparently one of the hardest songs George Kollias has played in his life.
But what I’d like to delve into is the meaning behind the music – the vibe – the soul of the album so to speak. Topically, this is about things that shouldn’t be unearthed (yeah I know, the title says that, duh!)
The following was said about the artwork: The story behind the title goes deeply beneath everything we have already known, and we may not be ready to face. With the art I excavated the theories of an elder ancient civilization which could give the origin to ancient Egypt. That’s why you can find a new ingredient in the band imagery, pointing at some higher obscure intelligence, eroding and covered with time. (Nuclear Blast)
So there is definitely this theme of an eerie, and an ancient spirit being accidentally unleashed like some horror movie mummy.
But what no interview has discussed is the modern middle eastern implications as well.
CALL TO DESTRUCTION – OPENING ALBUM TRACK
The video for “Call to Destruction” very deliberately shows video footage of terrorist groups (like The Islamic State) destroying ancient relics. The lyrics very obviously point to this.
Call to destruction of the symbols of paganism
Grand monuments of idolatry
We must tear down these blasphemous edifices of heathenism
We must annihilate all that is pre Islamic
We must complete what the ‘Amr ibn al-‘As could not
We must tear down these relics of infidelity
Great and mighty works of blasphemy
Mountains of ancient heresy
Sacrilege encased in stone
From thousands of years before the Prophet…
So there is no mistaking that this is a theme (at least for that song).
Nile doesn’t just discuss the ancient Middle East, they also discuss the modern Middle East as well sometimes. For instance, in the “Those Whom The Gods” detest album, there was the song Kafir, which is the word for “heretic” or “unbeliever” in Islam.
So now it’s time for my conjecture (JUST MY OPINION, NOTHING OFFICIAL): I think the Islamic State’s destruction of ancient relics is relevant to many of the themes of other songs in the album. That may have been unintentional or intentional on their part (I don’t know). I just saw a theme: a theme in terms of unearthing or destroying relics of ancient history that should remain untouched. And the actions of IS/ISIS fit into that theme. “Rape of the Black Earth” discusses destroying entire blocs of history, objects that have not been disturbed for millennia, and temples of the Gods defiled. “Age of Famine” also references unheard of atrocities, noble women becoming slave and whores, and children being dashed against walls, and people turning against each other…hmm that sounds familiar to what’s in the news.
Now am I saying this is what this album is all about? No I am not. Karl himself said this wasn’t a concept album.
Or maybe the whole album was really just Karl describing his hatred of unearthing the precious Earth metals that create cell phones (see interview).(Or maybe that’s a joke…)
The last song is “To Walk Forth from the Flames Unscathed.” So perhaps this is somewhat of a hopeful ending to an album with several songs about the destruction and violation of ancient history.
Evil to Cast out Evil is a killer track. Check that out to get a further taste of the delicious mayhem that is Nile’s newest album.
EVIL TO CAST OUT EVIL
“Flesh” is the newest song to be released by Huntress. The song comes from their album “Static,” which is scheduled to be released on September 25th. Vocalist Jill Janus (who has been awesome enough to talk with me on more than one occasion) has said that Static channels the “crone” aspect of The Goddess (in terms of the whole Maiden/Mother/Crone archetype). And from what I can see, it’s gonna be a dirty, lusty, nasty old crone indeed.
The song itself is about a female serial killer who transforms into a demon seamstress and preys upon women. She desires their flesh for fashion (like a demonic, lesbian, Buffalo Bill if you will).
Musically, it’s a fun, catchy, hard rock song.
Starbound Beast was such a killer album that it’s really going to be hard for them to top it, but I’m still looking forward to seeing what they can do nevertheless.
Genre: Atmospheric Black Metal
Country of Origin: Sweden
Themes: Nature, Darkness, Mysticism, Spirituality
Perhaps this is not the right time of year at all for this album, but I’ve been enjoying the Hel out of it. It is a dark, ambient but magical meander into the blossoming of spring. The sounds of nature in the background, such as the rain at the end of this album, really bring to life a certain time of year and the mindset that you can often have when spring is just around the corner. Yet in addition to being magical, it also has an eerie and haunting tone that reminds one of walking into the darkness of a primeval forest. Lustre is an amazing band in general, especially in terms of capturing the mood of nature and expressing it in only that which music can accurately describe.
HELLY LUV – “REVOLUTION”
The Kurds have done the amazing. With the most dangerous terrorist organization in the world at their front door, they have still managed to protect their own with little outside help (aside from U.S. airstrikes and some volunteers). Part of the power of their fighting force are the brave Kurdish women of the Peshmerga. Their job is to send the ISIS scum to hell – literally. Many of the guys in ISIS believe if they are killed by a woman, they won’t get into heaven. So the Kurdish women are more than delighted to take up arms and send these assholes where they belong.
Helly Luv is a Kurdish music star who has used her voice and dancing to bring attention to the Kurds and their battle. She is a singer, dancer, choreographer, actress and model. Her career began when she started uploading her own videos to Myspace and YouTube and then took off from there.
In 2014 she created the Helly Luv non-profit organization to help the women and animals in need in Kurdistan. On July 6, 2014, Helly Luv visited the peshmerga headquarters in the city of Duhok, Iraq near the border of Mosul, Iraq during the defense against ISIL (ISIS); with a mission to deliver food and water to the Peshmerga troops.
She is famous for her ‘Revolution’ video above, calling people to help build Peace by fighting ISIS. It may sound like a contradiction, but as she said in a recent interview “you can’t hand these people flowers.”
Genre: Black Metal/Middle Eastern Folk Metal
Themes: Ancient religion, evil, darkness, apostasy, anti-religion
Band Location: Saudi Arabia
Al-Namrood translates to “the non-believer” and comes from the name of a Babylonian king. He ruled the world maliciously and defied the ruler of the universe by claiming to be a God.
In Saudi Arabia, three men with hidden identities have defied theocratic law by daring to make black metal. For you see, in Saudi Arabia their actions are not only illegal, but are punishable by death.
The band started with with the idea of combining the Arabic scale with black metal and Arabic lyrics. The results are definitely quite interesting.
The members of Al-Namrood do not tour or play live shows (for obvious reasons). They make their music in secret and use fake names: Mephisto, Mudamer and Ostron. Quality equipment is hard to come by, and they have to smuggle much of their stuff into the country by secret. The bigger their fame, the bigger the risk of being found out, and yet they continue to make music and promote themselves anyways.
Al-Namrood represents the true spirit of apostasy. I regard these guys with the highest praise for having the courage to do what they do. If playing music under threat of death isn’t black metal, I don’t know what is.
Genre: Death/Black Metal
Themes: Grimness, Darkness, Apocalypse,
Band Location: Bahrain
The name “Smoldering in Forgotten” was inspired by a Goatwhore song, “Upon This Deathbed of Cold Fire.” Smoldering in Forgotten is another great metal band to come out of the Middle East.
Their style was originally black metal, but now they’ve grown to encompass a large variety of styles: including death, thrash and even incorporating aspects of Arabic traditional music. Their dynamic, live performances have delighted audiences across the gulf.
The drummer Mohammed Ishaq says that it can be difficult to arrange a show in Bahrain and elsewhere in the region, because venues distrust metal bands and their often rambunctious fans. Yet metal in Bahrain has apparently come a long way since the band first formed in 2005.
Ishaq says, “Back then, the only way to see live metal was to watch the occasional covers band play at a hotel’s battle of the bands night, but since then, the number of metal bands in Bahrain has grown, as has the size of their creative ambition and their audiences.” (The National Arts and Lifestyle).I have no doubt that Smouldering in Forgotten’s dynamic live performances have helped the Bahrain metal scene grow over the years.
Unfortunately I couldn’t find much of their stuff on YouTube, but I believe the song I posted above is a good eerie and melodic introduction to their work.
I give this song 10 shrunken heads out of 10.
Genre: Heavy Fucking Metal
Themes: Sorcery, Mysticism, Fantasy, Depression
Band Location: The U.K.
Lyrics: See them here
First of all, it goes without saying that this song is destined for greatness because the God of Heavy Metal himself – Ronnie James Dio – is singing. “Eating the Cannibals” is a fast and fun groove from Heaven and Hell’s 2009 album “The Devil You Know.”
Heaven and Hell is a metal project that was formed by past and current Black Sabbath members in order to play Sabbath tracks without infringing on the Ozzy fronted version of the band. Yet fans and critics alike have taken to calling the Heaven and Hell band “Black Sabath.”
“I believe in Satan
Who rend both heavens and earth
And in the Antichrist
His dearly misbegotten
The anguish ov our future
A Bastard spawned from lie
Born ov a harlot nun
Reign high in luxury
Aloft the kings ov man”
– Messe Noire Lyrics
Behemoth’s grim new video is a tribute to the Swiss surrealist H. R. Giger.
Giger is most famous for his role in the award winning visuals of the film Alien. He was named to the Science Fiction and Fantasy Hall of Fame in 2013. Giger is well known for his depiction of human bodies and machines in a cold, interconnected (and often sexual) relationship. His works primarily feature nightmarish, demonic and alienesque landscapes.
The music video above is inspired by Giger’s surreal style, with its focus on large demonic doors, as well as Sharon’s attachment to an occult and demonic machine that drains her blood. The story depicted is the fall of an archangel and his triumphant rise as Lucifer.
I can definitely see much of Sharon Ehman’s own artistic bent in the video as well. Sharon Ehman of Toxic Vision is without a doubt a fucking genius and the top designer of metal and occult inspired style in today’s world.
The director of the video is Zev Deans of Panorama Programming.
Zev Deans said the following about this video: “The story of Lucifer’s fall, followed by his defiant rebirth, reminds me of Nergal’s own personal struggles of recent years. Like Lucifer, Behemoth has recovered from hardship, and they are stronger than ever. With Messe Noire, I was lucky enough to work with some of the most talented people in the genre. I owe the success of this project to the intense SACRIFICE that Sharon and the rest of team gave to this work.“
THE ART OF H.R. GIGER IN MOTION
(Sharon Ehman of Toxic Vision, as “Abysmal Queen”)