Genre: World, Spontaneous, Primal
Location: Lyon France
Group Members: Héli Andrea and Quentin Thomas
When Héli Andrea put the first song of her band Olane on the Metal-Gaia facebook, I was pleasantly surprised to find a musical project that reminded me heavily of Dead Can Dance, and somewhat of Wardruna. The song I listed above is their first, but there is more to come.
Below is a discussion I had with Héli about the project.
MG: First of all, what are your influences in your music? And what themes are you trying to convey?
HA: I listen to many types of music, a lot of metal, ambient, classical, jazz… And I love to travel in my imagination when I listen to world music like Indian Carnatic songs, Mongol voices, strong ethnic drums or even Celtics songs. I composed Olane with Quentin Thomas, and we both share a passion for film music too.
What I try to do in Olane is to create spontaneously, without any thought about what it means. I’m not trying to talk about concrete issues. I just want to share a feeling. In Olane I want to spread this feeling of strength coming from the earth under our feet. Like something really deep-rooted in us.
When I sing this song, I feel like I’m traveling somewhere, far away.
MG: Are you influenced by groups like Dead Can Dance?
HA: To be honest, I know Dead can Dance since yesterday! Someone told me that Olane was in the same style, so I checked this out and it’s great! I was not influenced by them, but being compared to their style is really nice.
MG: Haha yes, that’s what your style reminded me of as well. What are you and Quentin’s plans for future songs?
HA: Now we are working on another song which will be maybe more epic. To me, it will be interesting to put other types of voices in this one. We consider this as a musical crash test, everything is possible, we can move from a country to another, from a period to another in our music.
I want to try many types of voices, many instruments. We are like kids who have eaten too much sugar. We don’t think about what we do, but it’s really fun! Plus, for the next song I would love to make a video with “Above Chaos,” who is a talented artist. He made all the visuals for the current project.
“History has it that the colonial masters came with the Bible and the gun, gave the Bible to the Africans, as they pointed their guns at their heads.” — Azizaa
“They took away our spirituality and gave us religion; they banned us from gathering under a tree by the fireside and herded us into churches.”—Wanlov
According to a 2012 Gallup International Survey about religiousity around the world, Ghana is one of the most religious countries in the world. Indeed its the kind of country with a church on every street corner (or maybe four or five). Many of these churches are places where rich pastors prey on the poor. A quick google search of pastors in Ghana will pull up a list of the richest pastors. This expresses a clear message: Christianity is a big business in Ghana (as well as elsewhere in Africa). A fundamental part of this business is poor people going to mass and giving away a substantial part of their income to rich pastors.
These churches also demand that the African people abandon their ancient spiritual practices in favor of the new religion put in place by Western, colonial forces.Yet many people in Ghana still invoke the ancient juju when nothing else works.
In the video a woman is being harassed by two Christian missionaries. When these missionaries run after her, they are confronted by the forces of an ancient and powerful magic.