Genre: American progressive metal
Location: Washington DC
And now for something entirely different. I’m not a fan of the vocals. Their style is a little too screamo for me. But they are very experimental and strange, so might be something worth checking out.
Most creative YouTube comment goes to…
If you want a platformer that blares Slayer inspired riffs and assaults you with wave after wave of skeletons and fireballs, this is the game for you.
Get your warrior on.
Recently Trish, the drummer of the Norwegian avant-garde black metal band Urarv found out she was diagnosed with breast cancer. I myself have battled breast cancer, and know how expensive and difficult this disease can be to deal with.
So please do what you can to help Trish, even if it’s just donating a few dollars along with a few minutes of your time.
Themes: Corruption, War
A metal song that speaks with the tongue of a Syrian child. A rough translation is offered below:
LYRICS IN ENGLISH:
What’s that sound, father?
I’m so afraid!
Don’t be, close your eyes,
I want to go home,
We will, son,
Filthy and itchy,
But no doubt my filth has more honor than you,
Rulers and politics, the source of defilement,
My house is not the camp,
Give it back,
God have mercy, your test has become long,
You burn me with their fire, where is yours?
Turned the childhood into a curse,
Weak, actively take your decision,
With the creed, they made me homeless,
With the knife, compelled me to it,
Oh, judgment day, arrive!
Blow your horn, Israfil,
Your trumpets await you, Israfil. (The angel in charge of blowing the horn that announces judgment day).
watch me on the screen,
Film my empty dish, sucking my fingers,
My dream is dead on the top of the canons, consolidate me,
Father, if I wake up, put me back to sleep.
Don’t wake me up.
My heart’s beloved, wake up….wake up.
(Voice of a preacher in the background)
Genre: Brutal, technical death metal
Location: United States
Themes: Ancient Egyptian Mythology
I love this song because it’s a great embodiment of what the band Nile does well, create an expansive, over-the-top soundscape with an impossible to remember title that fuses cinematic, Ancient Egyptian-esque instrumentals with the mind drilling riffs of modern death metal. It’s beautiful. If I were summoning Cthulhu, I’d want to do it to this.
This is the 10th and last track from the album Annihilation of the Wicked.
I Hath Dreamed Black and Grim, Desolate Visions
Of the Pre-Human Serpent Folk and Communed with Long-dead Reptiles.
Silently Watching Through the Ages in Cold, Curious Apathy.
The Unending Sorrows and Suffering of an Abysmal Humankind.
I Dare Not Again Surrender to the Deep Sleep Which Ever Beckons Me.
Lest I in Dread.
Shudder at the Nameless Things.
That May at this Very Moment.
Be Crawling and Lurking.
At the Slimy Edges of My Conciousness.
Slithering Forth from the Bowels of Their Infernal Pits.
Worshipping Their Ancient Stone Idols and Carving Their Own Detestable Likenesses On Subterranean Obelisks of Blood-soaked Granite.
I Await the Day When the Claws of Doom Shall Rise.
To Drag Down in Their Reeking Talons the Weary and Hopeless Remnants of a Jaded, Decayed, War-despairing Mankind.
Of a Day When the Earth Shall Open Wide and the Black, Bottomless, Yawning Abyss Engulfs the Arrogant Civilizations of Man.
Chthonic Retribution Shall Ascend.
Amidst Universal Pandemonium and Those Who Slither and Crawl Shall Rise Again Once More to Inherit the Earth.
Funeral Doom Metal
Themes: Entropy, Space, The Cosmos, Destruction, Chaos
“A singularity is the point in a black hole where density becomes infinite, space-time bends, and the laws of physics as we know them cease to operate.
This is the perfect way to describe Mesmur’s newest album “S,” an infinitely dense soundscape that bends space and time around the listener. A meandering funeral dirge through the chaotic void that is the universe. A universe that was doomed from the start.”
This is a review I did for Dark Art Conspiracy. Check out the rest of my review HERE
What I didn’t get to mention in my review is that entropy has four phases. I think that this album has four songs to reflect the four phases of entropy. Entropy is represented by “S” and is the measurement of disorder in a system. The idea of having an album focused on creating the sound of entropy is fucking brilliant in my humble opinion.
Country of origin: Mexico
Genre: Heavy/Thrash/Power Metal with Folk elements
Lyrical Themes: Aztec-Mayan Mythology
Cemican means “All the Life” in Náhuatl. The Náhuatl are members of a group of peoples native to southern Mexico and Central America, including the Aztecs.
I think Mixteco refers to the Mixtec. The Mixtec are indigenous Mesoamerican peoples of Mexico inhabiting the region known as La Mixteca of Oaxaca and Puebla as well as the state of Guerrero’s Región Montañas, and Región Costa Chica, which covers parts of the Mexican states of Oaxaca, Guerrero and Puebla.
I can’t find the lyrics for this song, and in my limited knowledge of Spanish I can understand they’re singing something about death (muerta) and something for the heavens (cielo)? I don’t know, my one year of Spanish in college isn’t a terribly reliable resource to count on.
Whatever they’re singing, it’s a tight song. I’m surprised that encyclopedia metallum classified these guys as power metal, because this song to me sounded like a mixture of thrash and folk instrumentals (but maybe I should listen to more of Cemican’s stuff). The video is also pretty brutal if you like blood and Aztec corpse paint.
It’s a powerful thing to see the ancient traditions resurface via the world of metal. The old ways are like weeds, you can cut them down, but they’ll always grow back.
Also check out: Aztec War Poetry