Posts tagged “meaning

Behemoth – O Father O Satan O Sun! (Official Video)

Genre: Black Metal (early), Black/Death Metal (later)

Themes: Paganism (early), History, Satanism, Luciferianism, Thelema (later)

Location: Poland

I know I’ve posted a lot of Behemoth videos from the Satanist album before. But that’s just because that album is so good. I won’t profess to know the exact meaning of this video. But I think I recognize some of the symbolism. Prometheus shackled to the cliff while birds circle overhead, ready to eat out his organs to punish him for gifting mankind fire. One-eyed Odin, the wanderer, with a raven. Both are figures who are similar to Satan in a way, they brought knowledge to humanity and suffered for it. Is that what Behemoth was going for in this video? I don’t know, those are just my guesses.


Bathory – The Lake

Country of origin: Sweden

Genre: Viking/Black Metal

Lyrical Themes: (Earlier Bathory) Satanism, Evil – (Later Bathory) Vikings/Paganism

Album: Blood on Ice

In this song, the narrator is told to give up his eyes so that he can “truly see.” That’s an interesting concept. The lyrics of this song also refer to a “one eyed old man,” no doubt Odin. And it was Odin who gave up his eye so that he could know the secrets of the Runes. Perhaps those who are less distracted by what they physically see, can truly see into the spiritual realm. There’s an expression that goes, “Only in the darkness can you see the stars.”

Lyrics: 

“The one eyed old man told me that the face that I will see
Has paralysed a thousand brave men sure of victory
I cannot fight blindfolded and I’d freeze if I should see.
So I need to sacrifice my eyes to see all from within.”

Read the rest of the lyrics here

 


New Behemoth Video “Messe Noire”, H. R. Giger Tribute, Includes Sharon of Toxic Vision

“I believe in Satan
Who rend both heavens and earth
And in the Antichrist
His dearly misbegotten
The anguish ov our future
A Bastard spawned from lie
Born ov a harlot nun
Reign high in luxury
Aloft the kings ov man”

– Messe Noire Lyrics

Behemoth’s grim new video is a tribute to the Swiss surrealist H. R. Giger.

Giger is most famous for his role in the award winning visuals of the film Alien. He was named to the Science Fiction and Fantasy Hall of Fame in 2013. Giger is well known for his depiction of human bodies and machines in a cold, interconnected (and often sexual) relationship. His works primarily feature nightmarish, demonic and alienesque landscapes.

The music video above is inspired by Giger’s surreal style, with its focus on large demonic doors, as well as Sharon’s attachment to an occult and demonic machine that drains her blood. The story depicted is the fall of an archangel and his triumphant rise as Lucifer.

I can definitely see much of Sharon Ehman’s own artistic bent in the video as well. Sharon Ehman of Toxic Vision is without a doubt a fucking genius and the top designer of metal and occult inspired style in today’s world.

The director of the video is Zev Deans of Panorama Programming.

Zev Deans said the following about this video: “The story of Lucifer’s fall, followed by his defiant rebirth, reminds me of Nergal’s own personal struggles of recent years. Like Lucifer, Behemoth has recovered from hardship, and they are stronger than ever. With Messe Noire, I was lucky enough to work with some of the most talented people in the genre. I owe the success of this project to the intense SACRIFICE that Sharon and the rest of team gave to this work.

THE ART OF H.R. GIGER IN MOTION


RELEVANT LINKS

abysmalQueen

(Sharon Ehman of Toxic Vision, as “Abysmal Queen”)

Behemoth Official Website

Behemoth Facebook

Toxic Visions Official Page

Toxic Visions Facebook

Zev Deans Panorama Programming


Black Metal Quotes and Prophecies of Horror

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READ BLACK METAL QUOTES HERE

“The world around us has failed to sustain our humanity, our spirituality. The deep woe inside black metal is about fear that we can never return to the mythic, pastoral world that we crave on a deep subconscious level. […] We are weak and pitiful in our strength over the earth in conquering, we have destroyed ourselves. Black Metal expresses disgust with humanity and revels in the misery that one finds when the falseness of our lives is revealed. (Wolves in the Throne Room 2006 – Source: Nocturnal Cult)”

I’m certainly not going to undertake the task of “defining” what Black Metal is and what it is not. It is something that exists beyond such simple definitions. However, one aspect I understand about some forms of Black Metal is that it evokes a feeling of despair and darkness – a feeling of living in dark times. There is an idea that humanity has failed, and we are disconnected from the primal vitality of our own nature.

The great heroes of our mythology mark a golden era where man was molded out of harsh winters, deep forests and nature’s lessons into the stuff of legend. Yet we today are shallow beings, with shallow roots, living in environments constructed from plastic and chemicals. We ourselves are just brief shadows of the blazing torch of our ancestor’s glory.

Ragnarok and Kali Yuga predict a great reckoning where a tidal wave of death and destruction will erase the errors of this time, and carve a new, verdant green world out of the flesh and blood of the old. The last living Gods will die fighting the Titans of chaos, but in the end a few Gods will survive to usher in a new and better world. At least this is my personal reflection. Black Metal is a reflection of today’s Dark Times – and almost a yearning for a coming destruction to wash it all away.

This is something that can’t be explained in mere words, but is understood in the subconscious by listening to the music itself.

Mother north – how can they sleep while their beds are burning ?
Mother north – your fields are bleeding
Memories…The Invisible Wounds
pictures that enshrine your throne (gone?)
A Future benighted still they are blind
Pigeonhearted beings of flesh and blood
keeps closing their eyes for the dangers that threat…ourselves and our
nature
And that is why
they all enrage me
Sometimes in the dead of the night I mesmerize my soul
Sights and visions prophecies and horror
they all come in one
Mother north – united we stand (together we walk)
Phantom north – I’ll be there when you hunt them down
(Lyrics Page)


Powerful Words from the New Orleans Poet, Sunni Patterson

“Injustice anywhere is injustice everywhere”

A great note to end the week with, some spiritual brilliance from this internationally known New Orleans poet.

According to her bio, Sunni’s mission is to aid in the awakening, the revival, and the remembrance of our gifts and voices, enabling us to move to a greater space of self empowerment, creativity and actualization.

I noticed the African words in the middle of the poem are names of the West African, Yoruba Gods. I think it’s interesting that she chose to put them in the middle of the poem deliberately. On my blog you can also read more about Yoruba or the Gods of Yoruba.

SUNNI PATTERSON’S OFFICIAL WEBSITE

TEXT OF POEM:

We have not always found comfort in killers.
We have not always found solace being rocked
in the bosoms of those who silently pray
and openly destroy.
No, not always have we mistaken mimicry for mastery
or pretending for knowing
or enslavement for freedom.
But across my memory —-
across my memory marches millions -—
bold, regal, resilient, confident —-
unshackled feet stumping up spirits
to guide us through this fickle material world.
We like sun and moon folk,
universal souls praying our prayers,
singing our songs.
Eshu, Ogoun, Shango, Yemaja, Oshun, Obatala, Oya,
Damballah, Ayida Wedo, Loa, Nkongo, Olodumare and Yami.
We know all of you by name.
We are people of beginnings, of culture, of strength.
Not always have we given into the empty threats
and scare tactics of the powerless ones.
Not always have we allowed the blood of our sons and daughters
to color the streets while we’re walking asleep,
marching to the beat of that siren song.
They’re still wearing their sheets,
with nooses in reach,
showing their teeth and smiling, it seems.
But I hear in the breeze
in the rustle of the trees
and the dangling of the feet,
they say, please, don’t let them ever forget.
You see, not always have we suffered from amnesia.
Not always have we forgotten how to conjure up spirits,
ancestor wisdom,
fix up a mixture,
spiritual elixir,
ancient traditions.
We, like magicians,
god-like vision, we -—
we are people of sight.
So, no, not always have we fallen
for this okie doke
or inhaled the hazardous smoke of the manipulators
or been satisfied with crumbs for meals
our hands have prepared.
Hughes said life for us ain’t been no crystal stair,
but at least the steps are there
to push us up higher,
teach us how to go beyond the destroyer’s disguises,
look them in the eyes and be able to see.
Because what’s surprising when you know the nature of a beast
and especially when they’ve shown the same face for centuries?
So you tell me,
what’s the difference between two sisters in New Orleans
shot point-blank in the back of the head,
and two women bound in their car in Baghdad?
Or government-sanctioned killings in Kenya,
and a sister held hostage in a house in Virginia?
Or poverty in Haiti, poverty in Jamaica,
rape in Rwanda or rape in Somalia?
A sweatshop in China or one in Guatemala?
Or small pox and blankets, syphilis and Tuskegee,
formaldehyde and FEMA, ethnic cleansing and Katrina?
I recall within a speech Dr. King made us aware,
he said injustice anywhere is injustice everywhere.
So they can spare us their drama, huh?
We got the heart of them field working mamas.
We carry the torch of that ancestor fire.
So with every fiber that flutters in our being,
with every find that comes from our seeking,
with every hearing that comes from our listening,
and every sight that comes from our seeing,
we must be faithful, strategic, victorious and free.


God Seed – Alt Liv (Video Symbolism)

Country of origin: Norway

Genre: Black metal

Themes: Mythology, chaos and darkness


The Formation of God Seed:

godseed

God Seed was formed in 2009 after Gaahl and King ov Hell lost the court battle over the rights to the former band name “Gorgoroth.” After losing the battle, Gaahl and King ov Hell chose “God Seed,” since it was the name of one of their songs. King says that the “God Seed” band represents a more spiritual side of their work, ” the will to grow; the will to be the super man, so to speak (Tune of the Day).”

The video above is a song from their first album “I Begin.”


Alt Liv Video Meaning:

odinhang

Image Source

What is the meaning of this song itself, “Alt Liv”? I found many reviews of the song, but not much about its actual meaning.

From what I could find, the Norwegian title itself refers to “everything that lives.” This matches the idea of the band “God Seed” in general to reflect the Will – or the God within, the growth of the seed of power. Everything lives, everything grows.

What does the video itself mean?

There are several symbols here that refer back to Norse Mythology.

Odin is the all father of the Norse Gods. He hung himself upside down from the World Tree, the gigantic ash Yggdrasil. He hung there for nine days and nine nights, pierced by his own spear. He made of himself a sacrifice to himself. Finally he fell from the tree, when he received the flash of insight that revealed the secrets of the runes.

In this video, we see a man hanging from a tree. There are also ravens that fly from the tree (ravens are one of Odin’s attributes). Huginn (“thought”) and Muninn (“memory”) were two of his ravens that would fly all over the world and bring back information. Ravens are often pictured sitting on Odin’s shoulders. In this video, the feather of the raven occurs as a frequent image.

There are three boys in this video who see the man hanging from the tree, but only one has the courage to pick up the spear and pierce the hanging man. Perhaps this reflects the idea that it takes courage and even a bit of audacity to confront the deep knowledge within oneself.

There was also a woman in the video working magic, perhaps this is a reference to the Seiðr magic that was specifically practiced by women. Seiðr was associated with both Odin and the Goddess Freya.

Of course these are just my interpretations. Perhaps God Seed did not have such a specific meaning for their video. Yet the allusion to Norse Myth and the quest for knowledge emerges as a very apparent theme.

All things live. All things grow. Nature grows. Man grows. Yet deep knowledge is necessary for growth.

LINKS: 

God Seed Official Site

God Seed Official Facebook

God Seed YouTube

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Happy Ostara – With Poem

ostara

The Vernal Goddess treads a land of melting snow

in a gown of green, sunlight twined in golden hair

She escorts Old Man Winter beneath the horizon

Laying him down to slumber, until the following year

 

Birds as troubadours sing in the spring 

Burying white treasures in castles of twig and vine 

All Hail Lady Spring in her procession

All Hail The Maidan, Radiant and Divine!

Happy Ostara All! Today is officially the first day of Spring. The Spring Equinox is the day when the sun passes over the celestial equator. Today is a day that celebrates the season’s change from the darkness of winter to the light of Spring, as well as the land’s new fertility. After the Snowpocalypse that has pummeled the American East Coast this year, I am certainly grateful for Spring.

PaganWiccanAbout.com has some information on Ostara crafts, deities, food, altars and rituals

Enjoy the following Ostara song below. I know I posted it last year, but hey – it’s good enough to post a second time! Three cheers for spring! Three cheers for new beginnings!


Behemoth’s Blow Your Trumpet Gabriel – A Rite of Transformation and Power

This video will blow your mind

Yesterday, the Polish Death Metal band Behemoth released a new video for their song “Blow Your Trumpets Gabriel.” This song will appear on their next album “The Satanist,” which will be coming out in 2014. The album is currently available for pre-order. Nergal (the vocalist) said he was inspired in the making of this album by his battle with cancer (Metal Injection). There are few things more brutal than telling cancer “nope” and kicking its neoplasmic ass straight to hell.

Now let’s talk about the song above. First I would like to complement the bassist. Listen to the bass at 3:41 for example, I love that part!  The bass wasn’t just like “Raaar brutal metalz jun jun jun jun,” it was the velvet wall between the trumpets, drums and guitar, a texture that gave the song definition, emotion and dynamics. In terms of the rest of the song, it of course is very reminiscent of Behemoth’s usual sound. But they did a great job, as usual, in amping up the brutality on this one.  Makes me excited to listen to the rest of the album when it comes out.

The video itself is a masterpiece to be sure. I can’t give you a clear cut answer for what the video represents itself, but I have my own interpretation. In this video a girl goes through a journey and a transformation. She walks through a field and finds herself with a trio of “satanist priests?”

The most visually jarring part of the video is where the music picks up in intensity. After the girl drinks the ritual (wine?) she goes through a painful transformation. She starts vomiting blood, thorns pierce her body, her eyes become red with blood and she loses her hair.

As I mentioned earlier, Nergal states that he was inspired by his battle with cancer. What happens to a person when they battle cancer? They lose their hair, spend a lot of time vomiting – possibly vomiting blood – and of course go through mind wrenching pain. I think this girl’s transformation represents Nergal’s interpersonal battle with cancer. At the end of the painful transformation, the girl is something new – something unearthly. She is an angel or a demon, blowing Gabriel’s trumpet. She is more powerful than she was before, having overcome her barbaric rite.

Yet I see a meaning here that goes beyond a battle with cancer. Behold, there are religious images splashed throughout the video: a rosary, a crucifix, a Jewish menorah, a man sacrificing a lamb, etc. Remember, the album that this song is from is called “The Satanist.” Perhaps the girl’s battle represents The Satanist’s battle against all religions and ideologies. It is a battle against systems that attempt to control the mind and the soul. At the end, the new Satanist initiate is more powerful having overcome the religious restraints on her mind and does something that Christ speaks against – she blows her own horn. She is an entity onto herself, a primeval wolf in the forest, her own personal God. She proclaims herself as such as false religions crumble around her.

At least…that’s my interpretation. What’s yours?


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What Does Each Chakra Represent In Life?