A mere ten feet below a suburb of Edinburgh Scotland, lies Gilmerton Cove, a mysterious network of tunnels and carved passageways. How old is this cove and what was it used for? There are many theories.
According to Julian Spalding, a writer, art expert, historian, and the former head of Glasgow’s museums and galleries, the temple could have been in use for centuries. He believes that further work at Gilmerton Cove may unlock many of the secrets connected with the mysterious labyrinth.
The official record states that the place was created by a blacksmith by the name of George Paterson in 1724. Until recently, no one had any proof to the contrary. Yet Julian Spalding believes that it may have been a temple used by the druids centuries ago and then buried to protect the sacred nature of the place. He says that the construction of the temple is too complicated for one blacksmith alone to make, and believes that Paterson simply discovered the place and used it for himself.
Now just because this place could have existed before Paterson, doesn’t necessarily make it a sacred druid site. There isn’t concrete proof to say that this is the case. But it is an interesting theory. And the carvings in the wall could a spiritual significance.
In the 1740’s, the site was used by the Hellfire club, a gentleman’s club that turned the cove into a den of vice: a place for drinking, enjoying music and sexual activity. Some researchers even believe that there were religious practices linked to these sex parties.
Then there are some other theories; that it was used by the Free Masons, and even the Knights Templar. Are any of these theories true? Who knows.
But it is interesting to think that just below the surface of a sleepy mining town and suburb, lies a piece of history, possibly charged with spiritual significance.
Cue the soundtrack of Billy Idol’s “It’s a nice day for a white wedding,” and replace that with, “It’s a nice day for a Gaaay Wedding!”
I would like to send forth a major congratulations to Tom Lanting, 34, and Iain Robertson, 39, who were the first two to have both a gay and pagan wedding in Scotland. The couple has been together for 12 years, but has just recently tied the knot. Since they both describe themselves as hedge witches, they had a ceremony where they casted a circle, invoked the elements, handfasted (which involves tying the hands together), shared mead and jumped the broom.
After Sunday’s wedding, the couple said: “As hedge witches we always wanted to have a pagan marriage ceremony in line with our beliefs and it was really important to us to be able to share this ceremony with our friends and family.”
Scotland is the only part of the U.K. to allow pagans and other religious minorities to solemnise legal weddings.
Louise Park, the presiding officer for the Pagan Federation (Scotland), conducted the ceremony. She said: “Equality for people of all faiths is something that is very dear to the vast majority of pagans.”
Hopefully we see more of this kind of thing in the future to come for Scotland.
BILLY IDOL – “WHITE WEDDING”
Since I mentioned it I might as well post it. Not metal, but a bit of cheesy 80’s magic.
Happy Tuesday! Enjoy some riveting Scottish Black Metal. I’ve noticed that a lot of the good metal I’ve been listening to lately has been from Scotland. There must be something very awe inspiring about the Scottish landscape.
As mentioned above “Cnoc An Tursa” is Gaelic for “Hills of Sorrow,” which relates to the Callanish Standing Stones (similar to Stonehenge) which is an actual place on the Isle of Lewis, Outer Hebrides Scotland.
Cnoc An Tursa started in 2006, but only has produced one album, “The Giants of Auld”. In an interview with Teeth of the Divine the band said it took them three times longer to produce the album than they expected. But hey – you can’t rush perfection, right?
The song posted above, “The Lion Of Scotland” is the second track on this album followed by a brief intro from “The Piper O’Dundee.” “The Piper O’ Dundee” is a well known Jacobite war song. The original lyrics of the song deal with the rebellious influence of music during the Jacobite era. The bagpipes were outlawed in Scotland because they were thought of as an “instrument of war.” Many of the other songs on the album are also based off old Scottish melodies.
In this album the guitar does a great job in lacing driving melodies over black metal ambiance. The only complaint I’ve heard about the band so far is the choice of screamed Hardcore vocals. I myself prefer clean or growled vocals, but there are some people who like the screamed style.
If you liked these guys, check out the links below.
Imagine if the Folk Metal band Belenos had a baby with the progressive rock group Pelican. The baby would be Saor: a band that has the power and mystery of Folk Metal, but the creative melodies of Prog Rock. Saor brings the traditional Celtic sound to the music with instruments such as the tin whistle, bodhrán and bagpipes.The music itself is emblematic of the stunning Scottish landscape. If you go to the band’s facebook, you can see some amazing images of Scotland. It’s pretty impressive that one artist, Andy Marshall, was capable of putting this all together.
“Children of The Myst” is the opening track for the album Aura, which will be released June 6th 2014. Saor may be a very new band, it was formed in 2012, but already its music is going to the top of Folk Metal Playlists. If you would like to hear more of their work, check out their facebook: