“Wolf Totem,” by Tengger Calvary – Mongolian Folk Metal
Country of origin: China
Location: Beijing
Genre: Mongolian, Folk Death Metal
Themes: Tengrism, Shamanism, Mythology
In Mongolian shamanism, Tengger (also spelt Tengeri) is the sky-father, lord of the celestial sphere.
I’ve posted a song from this band before, and now I’m posting another because that’s just how good these guys are. Tengger Calvary’s music evokes the raw power of ancient armies on horseback riding across the vast Manchurian Steppe. The band links their music to a traditional Mongolian sound by their use of throat singing – a unique type of vocals in which two different pitches are produced at the same time. This style of singing was developed by the Mongolian people as part of an animistic belief set. Animism is the belief that objects of nature have their own spiritual power. Throat singing takes this a step further by imitating the sounds of nature itself.
In addition to achieving the ambiance and feeling of Mongolian Shamanism, the band’s musicians also implement their own death metal technicality, in terms of powerful guitar solos and heavy drums. Tengger Calvary successfully combines elements of Folk and Death metal in a way that doesn’t feel forced or synthetic. If Genghis Khan and his armies rose from the dead and started playing metal – this is pretty much what it would sound like.
Of course there is also the obvious fact that there are not that many folk metal bands in the world that write songs about Mongolian Spirituality and Myth, so these guys are truly a gem.
TENGGER CALVARY LINKS
WANT TO LEARN ABOUT MONGOLIAN SHAMANISM?
Týr – By the Sword in my Hand
Týr refers to the Germanic God of courage, strength, justice, victory, defense, and battle.
Genre: Progressive Folk Metal
Themes: Norse Mythology/Paganism
Band Location: Faroe Islands (an archipelago and autonomous country within the Kingdom of Denmark)
Lyrics: Click Here
Any Heathen metal head or Folk Metal enthusiast is familiar with the band Týr. A Folk Metaller without Týr in their playlist is like a warrior without a sword, a witch without her broom or me without a secret stash of chocolate in the house. It just doesn’t happen.
This band has been going strong for about 16 years now with 7 full length albums to their name. While they may experiment with their style a good bit, the heart of their music lies in heroic themes of warrior battles, Norse glory, and in general just having a fucking fun time. The song I posted above has to be one of my favorites and is pretty characteristic of their sound.
As mentioned above, their name is connected to the Germanic God of justice, Týr. The most famous story about Týr is how he sacrificed his hand to the wolf Fenris in order to bind him.
Týr also was originally known as Tiwaz. The Tiwaz rune is named after him and symbolizes fighting for truth and one’s beliefs, as well as standing for dedication and valour in combat.
Tiwaz rune pictured above. Image Source
Folk Metal Playlist
VIEW PLAYLIST HERE (VIDEO WON’T EMBED)
This is a playlist of folk metal songs similar to Falkenbach’s Gjallar. Enjoy! I liked almost all of the songs on this list, and even heard a few new songs that I had never encountered before.
Eight Folk Metal Bands (Including Drudkh and Primordial) Collaborate on an Album
One and All, Together for Home comes out May 23rd 2014
In an effort spearheaded by the Ukrainian band Drudkh, eight different Folk Metal bands have come together to produce a compilation album. I’ve included a list of the eight bands below:
- Drudkh (Ukraine)
- Ava Inferi (Portugal)
- Primordial (Ireland)
- KAMPFAR official (Norway)
- Winterfylleth (England)
- Häive (Finland)
- HIMINBJORG OFFICIAL (France)
- Mondvolland (Netherlands)
Each band listed above has used music as way to link the listener back to their culture’s respective folk traditions and history. In this album, you’ll find that these bands have created their own unique way to represent traditional folk songs as well as the melodies from their musical heritage.
The Irish band Primordial has recently released a preview of their Dark Horse on The Wind on Metal Hammer (a song that will appear on the One and All, Together For Home album). Dark Horse on The Wind is a folk classic that is an ode to the pain of Ireland’s Civil War. Enjoy!
Three Asatru Perspectives: Universalism, Folkism and Tribalism
A majority of my information in this post will come from Uppsala Online
The words “Heathen” and “Asatru” today refer to the modern revival of the old Pagan Norse/Germanic religion. The main difference between these two words is that Asatru refers to a specific set of beliefs in this group – while Heathen is a broader term referring to all Neo-Pagans who follow a Germanic/Norse pantheon of Gods and customs.
Asatru specifically is a modern Icelandic compound of the words Áss (which refers to the Aesir Gods) and trú (which literally means faith). So, question to the crowd, what does this mean? True booty? No. Asatru translates into a faith in the Aesir Gods. (Vanatru has the same roots and refers to the worship of the Vanir). If you are curious about the difference between these two groups, feel free to do research. But today I want to talk specifically about three different perspectives in the modern Asatru and Heathen community: Universalist, Folkish, and Tribalist. Universalism and Folkism are the main two perspectives, but Tribalism has been suggested as a sort of middle ground between the two.
Universalist:
Universalists believe that anyone of any background can become a Heathen. It’s pretty simple. This allows for greater freedom of choice and for more people to come to the Old Norse Religion. For example, if there was a practitioner whose direct bloodline was Japanese, they could still practice Asatru as long as they lived by the nine virtues, understood the lore, learned the runes, took responsibility for themselves and their actions and used common sense.
The main argument I’ve seen against Universalism is that it is too open ended. Folkish and Tribalist Asatru believe that much more criteria should be required before someone can call themselves an Asatru.
In defense of the Universalists, most Universalist viewpoints I’ve read still believe that followers of Asatru should follow certain guidelines and rules – that it isn’t some free for all in which you can do whatever you want.
Folkish:
The Folkish perspective is that Asatru is an ethnic religion that should be mainly practiced by those with a Northern European heritage. They believe that ethnic religions connect the practitioner to their landscape’s ancestors, bloodline and traditions. Folkish Asatruar have made the argument that they are not white supremacists, but that they believe that every Folk should worship its own ancestors. Many Folkish Asatruar cite that Shintoism for the Japanese as an example of a valid ethnic religion – and that they want to do something similar with Asatru and the Northern European people.
One of the arguments made against ethnic based Asatru (Folkism) is that there were many Non-Norse folks in the Eddas and other legends who took part in Norse rituals. Norse slaves came from Celtic, Slavic and even Middle Eastern lands. These slaves were expected to abide by the customs and rituals of the Norse people when they lived in Norse lands. While the lives of slaves were pretty grim and there is certainly no way to sugar-coat such a practice, it is true that the slaves were sometimes emancipated by their masters and allowed to live among Norse society. Conversely, when the Norsemen settled in new lands, they adopted some of the customs in the new territories that they settled in. These points are all explained on Uppsala Online:
“Norsemen, when travelling afar, often took part in the religious rituals of the lands they traveled to, such as is found in the example of prime-signing, where travelling heathens took part in Christian ritual without renouncing their native gods. If the ancient heathens thought every bloodline had its own gods that should be stuck to exclusively, then why did they engage in this practice? Similarly Radbod the Frisian, an Asatru hero, was going to take baptism to honor his friends’ gods (until a Christian priest said something stupid).”
Tribalist
While Universalism and Folkism are the two main spectrums of the Asatruar community, Tribalism has been suggested as a middle-ground, or a third opinion by websites such as Uppsala Online. There is a confusion of terms here because Tribalists still call themselves “Folkish” Heathens, but they typically are accepting of non-white Heathens among their ranks. They describe themselves as Folkish because they believe that there must be a deep adoption of Norse Culture in order for one to call themselves a Heathen or Asatru. They believe that anything otherwise is just a surface level adoption of Asatru. To become a Tribalist Asatru you either must have Norse/Germanic descent or you must be adopted and oathed into the community. This is similar to Judaism where one is either automatically born into the tradition via bloodline, or converted into the community.
Conclusions
I think what is important to remember is the character of the Norsemen themselves. They were a people who deeply valued honor, courage, individuality, exploration and growth. Those of us today who feel called to practice the spirituality of these Norse Ancestors will never get to live in the 9th century and will not directly experience the world of the Viking Age Era…unless you build a time machine that is. For those who feel called to the Asatru and Heathen ways, they will be forced to do so in the context of the modern world. Therefore I say it is impossible to practice Heathenry EXACTLY as the Ancient Norse once did.
However, I personally believe that those who feel called to these old ways, will prove themselves via the mettle of their honor – and not by the shade of their eyes or skin. I agree that Asatru shouldn’t be a simple surface level religion, that it should involve a deeper commitment than simply knowing that Thor is the God of thunder or by simply wearing a cool Mjölnir (hammer of Thor) around your neck. Yet if you gauge admission by appearance – is that not very superficial in practice?
We must remember that Thor’s sons, Magni and Modi, were mothered by the giantess Jarnsaxa, and yet they are not only considered divine despite their “impure blood”, they are considered so divine and mighty that they will take up Thor’s hammer after Ragnarok, and become the defenders of men and gods alike (Uppsala Online).
Further Reading
A Tree Without Roots
”A people without the knowledge of their past history, origin and culture is like a tree without roots.” – Marcus Garvey
Tengger Calvary 长生天铁骑 – (Nomadic Mongolian Folk Metal)
Listen to this band or Genghis Khan will light you on fire.
Tengger Calvary is a one man band hailing from Beijing China. 天然 (Nature), the man behind the band, is heavily influenced by Mongolian Spirituality. “Tengger” is the high lord, father of the sky. This band presents the ideal harmony between elements of modern metal and Chinese and Mongolian folk. In many folk metal bands, the folk instruments can overwhelm the song: as if to say – “hey everyone! We’re folk metal!” rather than writing a comprehensive song.
Yet in Tengger Calvary, Horse head fiddle, Mongolian throat singing and Buddhist bells work together well with modern elements of metal – such as catchy guitar hooks, molten hot solos and double bass drumming.
MONGOLIAN THROAT SINGING, MIMICRY OF NATURE
Mongolian throat singing is the production of more than one pitch in the chest or throat at the same time. The open landscape of Mongolia allows for sounds to carry a great distance. Often, singers will travel into the countryside looking for the right river, or will go up to the steppes of the mountainside to create the proper environment for throat-singing. The singing itself is connected to an animistic set of beliefs. Animism is the idea that the objects of nature have their own spiritual power. Throat singing takes this idea a step farther, attempting to mimic the sounds of nature. (More information about Throat Singing)
TENGGER CALVARY LINKS
CURIOUS ABOUT MONGOLIAN SPIRITUALITY?
The Hobbit, When Simple Folk Become Heroes
9 Out of 10 Dwarfs Approve of This Movie.
The significant thing about this movie to me wasn’t just the dwarf battles, the beauty of the elves, or the godly power of wizards. The most powerful thing to me was that in a world full of magical, mythical beings, it is the simple folk who are the heroes. Tolkien chooses Bilbo Baggins, a mere hobbit, to be his protagonist. Bilbo leaves behind a domestic life of worrying about his doilies and when he’s going to eat second breakfast – to running from Orcs, finding treasure, dining with elves, and exploring the depths of Goblin infested mountains.
Why does Tolkien choose a Hobbit for his hero? Gandalf explains:
“Saruman believes it is only great power that can hold evil in check, but that is not what I have found. I found it is the small everyday deeds of ordinary folk that keep the darkness at bay. Small acts of everyday kindness and love. Why Bilbo Baggins? Perhaps because I am afraid, and he gives me courage.”
In triumphing over evil, we often think we need some kind of superman to step in and save the day. That we need the most powerful of armies or the most famous individual. But sometimes the most effective thing, can be a simple act of everyday kindness and hospitality. Even you – yes little old you – can make a difference! How many would be suicides or shooters were prevented by someone who had enough love and kindness to be that person’s friend? How many times has your life been saved by that friend or neighbor who took the time out of their day to help you out?
This movie is a reminder to me that we can’t forget the everyday, simple kindness of folk. That perhaps, the modern evils of our time reflect a more isolated society where people take less and less time to help one another out – let alone even know their neighbor’s name. There has been a loss of kinship and brotherhood in this “every man for himself,” “me first,” “consume as much as you can”generation.
It was ultimately the hoarded wealth of the dwarf king Thrór that lured the dragon Smaug to destroy his kingdom. Smeagol too is broken down into a pathetic and lonely creature as a result of his obsession with his precious – the ring. As values shift towards self ascension and money, the world ultimately gets subsumed by a great evil. Maybe we should be a little more like the hobbit and less like a Smeagol in our every day lives.
Metal Gaia 
